Every year the Pantone Colour Institute announce a colour of the year to engage colour enthusiasts and design communities all over the world. As an avid lover of colour, with a keen interest in brand, design and behavioural colour psychology, I’m fascinated to understand why Pantone chose ‘Viva Magenta’ for colour of the year 2023.
Described by Pantone as an ‘unconventional shade for an unconventional time’… ‘a pulsating red shade whose exuberance promotes optimism and joy’, I get a real sense it’s putting a full stop on what’s gone before and is opening a channel to a new path of positivity. And quite frankly, after the last few years, who isn’t seeking a magical period of time fuelled by good vibes. Viva Magenta certainly does stand out in a crowd as a bold, fearless, and brave colour designed to capture our imagination.
#magentaverse
Pantone talks about Viva Magenta as a colour that ‘straddles the physical and virtual world, evocative of our multi-dimensional world’. #magentaverse – a play on the metaverse. At present, the world we live in does increasingly span both the real and virtual, which can be challenging at times. And whilst I have a virtual presence online on social channels, my preference is for real – real people, real situations, real conversations, real colour.
Viva Magenta in action
Colour has the power to change our state, elicit new or different behaviours, and drive action. From a psychological perspective, red affects us physically and will always trigger a physical response. It relates to strength, courage, rebellion and says ‘Look at me’. Red is often considered a powerful colour that not only makes us feel empowered, but can also stimulate and help us tap into a new level of stamina to complete a task, or ready us to be that little bit stronger when required. A bit like caffeine, red is powerful and gives us a real boost of energy. I liken this to what happens to me when I drink a can of coke or enjoy a freshly brewed americano – it’s like I’ve been given a new lease of life, a superpower strength.
Do you see Viva Magenta is a shade of pink? Pink is typically understood to be nurturing and caring, particularly when you think about baby or dusty soft pink. In contrast, strong cool pinks like Magenta are very red are physically stimulating. For me, Viva Magenta comes across as quite feisty, full of fight and personality. It’s likely to be a colour that will call and connect with people who have a rebellious spirit.
Pantone express Viva Magenta as…
“Powerful and empowering, an animated red that encourages experimentation and self-expression without restraint; an electrifying, boundaryless shade that is manifestly ‘out there’ as is a stand-out statement”
“A nuanced crimson red that presents a balance between warm and cool. A hybrid colour that comfortably straddles the physical and virtual, evocative of our multi-dimensional world”
“A transformative red tone capable of driving design to create a more positive future”
Colour in nature
When it comes to colour, I believe that everything stems from nature. Just as Viva Magenta originates from a natural dye, it’s easy to see that nature provides us with a natural colour palette. It also provides us with shape, texture, form and context.
If you’re looking for inspiration, a great starting point is to go for a walk into a forest or garden. Look around and observe what you see, really become aware of the colours and textures all around you. And as the year goes on, bathe in the seasons and ‘feel’ into the one that resonates with you most, become aware of how all the colours harmonise with each other, a colour palette will appear before your eyes.
However you choose to embrace and weave Viva Magenta into your life this year, may it empower you, draw out your assertive side, and encourage you to be a little bit more audacious, every day.
Every year in December Pantone announce their ‘Colour of the Year’ for the forthcoming 12 months. This year, breaking with tradition, they have created a totally new colour called Very Peri, ‘a new Pantone colour whose courageous presence encourages personal inventiveness and creativity’.
From a global perspective, in the last two years we have all experienced huge changes in our work lives, our personal lives, how we operate in our homes and what we want our spaces to create for us. What seems to be becoming ever more present is the capacity and ability for colour to communicate, to connect, and elicit subtle yet extremely powerful changes in our behaviour.
What the experts say…
It was interesting to see the article shared by Pantone announcing the Colour of the Year and to read what Laurie Pressmen, Vice President of the Pantone Colour Institute said about Very Peri…
“The Pantone Colour of the Year reflects what is taking place in our global culture, expressing what people are looking for that colour can hope to answer”.
Executive chairman of the Pantone Colour Institute says…
“As we move into a world of unprecedented change, the selection of PANTONE 17-3938 Very Peri brings a novel perspective and vision of the trusted and beloved blue colour family, encompassing the qualities of the blues, yet at the same time with its violet red undertone, PANTONE 17-3938 Very Peri displays a spritely, joyous attitude and dynamic presence that encourages creativity and imaginative expressions.”
There are many influences that go into shaping the selection made for the Pantone Colour of the Year from art collections, travel destinations, artists and fashion, to believe it or not, sporting events and technology – who would have thought the latter would even be considered in the process. But it’s technology and digital in particular that have played a huge part in enabling new ways of working in these times, as well as enable the birth of several new entrepreneurial business, both large and small. And especially at a time when people are considering their life choices and how they want to transform and evolve in the year ahead.
The influencing qualities of Very Peri
Looking at the positive effects of this slightly lavender – lilac colour, we can make a connection with spirituality, self-awareness, composure and wisdom. For many our priorities have changed in the past 24 months and colour has the capacity to support our wellbeing and in helping people in making more changes in the 12 months ahead.
Picking up on the positive effects of light blue it’s fair to suggest that Very Peri will encourage and create feelings of calm and serenity. Moreover, blue is a psychological primary colour and affects us mentally, and will often help to give us clarity of thought.
Carrying both positive and negative traits, colour affects us all in ways many would not readily be aware of or even consider. In fact, it affects how we behave more than we realise, as well as influencing those around us in our immediate vicinity. Yet whilst colour subtly shifts and influences our behaviour, our choices, and what’s happening subconsciously around us, we all will relate to colour differently – through personal, cultural and psychological associations.
Colour, emotion and action
In addition to trend forecasts, and consultation with global brands, I believe it’s the psychology of colour that plays the most influential role in choosing the ‘Colour of the Year’ and changing our emotions. It’s what people feel, it’s how they connect with colour that drives change, that drives new behaviours, that causes people to make new, different choices that are more in alignment with their true authentic selves.
At a time when people need serenity and calm, coupled with inspiration and creativity, perhaps Very Peri will be the colour that creates emotions that people can’t ignore – turning these emotions into action. Perhaps this colour will inspire the change that people want to see in many areas of their lives – not only personally and in their work life – but in now they connect with themselves and others – mentally, emotionally, physically and spiritually.
For me, I find Very Peri calming and centring. It may not be the colour I’d choose to paint my kitchen and dining room as it may suppress my appetite (not necessarily a bad thing after Christmas), but it would possibly be a good choice for a bedroom or a space I wanted to just ‘be’ or to meditate to encourage awareness and allow whispers of wisdom to appear.
This Autumn I wanted to strike out and go on another Vinnie Adventure before Winter truly arrived. Over the summer various friends had been up to Cumbria, the Peak District and into the Lakes and I began to feel the beginnings of a plan being hatched.
Being fuelled by the attraction of discovering new places and walking on new ground – well for me at least – I found myself checking out some new spots around Windermere. A big lover of my name-sake Miss Beatrix Potter, there was a natural pull to visit Hill Top and remind myself of all the ground breaking things this extraordinary lady did in her time. Back then women were not championed in carving their own path, they were expected to stay home, choose a husband and marry ‘well’ (whatever that means), and fall into what society expected of them. But Miss Potter was different – she had a love of nature, drawing, and painting, and she had a vivid imagination that conjured up the most amazing stories like ‘The Tale of Peter Rabbit’, ‘The Tale of Jemima Puddle Duck’, ‘The Tale of Squirrel Nutkin’ and many more.
I’m not too sure why I’m sharing this now – but I guess I’ve just noticed a synchronicity that it was Barbara Hepworth that inspired my trip down to Cornwall, and it was Miss Potter that inspired my trip to the Lakes. Both extraordinary women do extraordinary things.
Honister Pass – Valley View
If it was not for Potters imagination, her following her passion, and writing her wonderful books that I loved as a child – we may not have been able to enjoy the Lake District as we are able to today. She preserved the landscape, the geography of the land, and in doing so, has enabled thousands, in fact more like millions of people to enjoy this luscious, mountainous, and adventurous part of our country.
So, whilst many politicians are busy knocking the great out of Great Britain, I wanted to experience something that is truly great about Britain – and for me, that’s the landscape in the Lake District.
Borrowdale and Honister Pass – exploring new territory
The last time I was in the Lakes was about seven or eight years ago over the August Bank Holiday weekend. Back then I’d joined a lovely guy I was dating at the time on a walking weekend near Windermere and we’d all stayed in a beautiful youth hostel. For this autumnal trip it was the middle of November, and it was a particularly soggy week, so I got online to check out which YHAs naturally caught my attention as I figured I may want alternative accommodation to Vinnie – my van. It was Borrowdale YHA that immediately jumped out and caught my attention. I couldn’t quite put my finger on it initially, but on arrival I think it was its remoteness as it literally is in the middle of nowhere, and only a few kilometres from Honister Pass – a cheeky little number I had in mind to cycle over.
Honister Pass – Slate Mine
Following my motto of ‘seize the day’ on arrival I took the decision to get into my lycra and set off on a two-wheeled adventure. Typical of me, I’d read a little (but not enough to put me off). So, 5 km into my ride I found myself going up Honister Pass! For those that don’t know, this is a long drag of a hill, that ramps fairly swiftly up to 25% and more. Laying as flat as possible over my handlebars to stop my front wheel bouncing off the tarmac as I continued to ride, I soon rose through the mist and arrived at the summit of the climb. Even in the wet, soggy, grey mist it was a beautiful, panoramic view.
Honister Pass before I drop down into the mist!
What also became quickly apparent was the acute drop the other side! Not only was it narrow, wet and slippery, it was 26% and more, but this time downhill. Too steep to whizz down without touching my brakes, and watching the time as I wanted to get back to Borrowdale YHA before nightfall, I slowly set off with my brakes musically echoing around the hills.
Borrowdale YHA and my little wooden pod
My cycle ride took me all around the rolling lanes and after 60km or so I cycled through Keswick and then back to my home for the evening. As the rain drilled down and wind whirled through the trees, I was relieved and pleased that I’d had the foresight to book myself a little wooden cabin. Nestled in the green entrance to Borrowdale these basic yet cosy pods sleep two, they have no running water or the convenience of a loo, but they are warm, comfortable and quiet which made me feel more up close and personal with Mother Nature. Not only that, I was able to enjoy the heat of a roaring log fire in the communal area of the hostel and chat with fellow adventurers before I retired for the evening, and to what turned into a 12-hour sleep.
Friendship, laughter and play – a hat-trick of happiness!
Going up ‘North’ also gave me the opportunity to catch up with a couple of lovely girlfriends I’ve known for many years but have not seen for some time. At the beginning of my trip, I caught up with Fiona. I met Fi, at University in Nottingham where we were both studying Textile Design – Fi focused on construction in ‘knit’, and I focused on surface pattern in ‘print’. We studied together for three years and also lived together for two and a half years. In that time, we made hundreds of amazing memories, laughed lots, skied lots, drank lots, and danced lots. This time round it was a little calmer as our time was quite compact and it was wonderful to sit down for dinner, catch up on many of the incredible life events that have happened in the time we’d not connected, and it felt like no time had lapsed at all.
On the tail end of my trip, I caught up with Heather, a fabulous and vivacious young lady that I met doing my one and only ski season in 1999-2000. Both finding ourselves in Courchevel 1850, in the Haute Savoire region in France, we worked for different ski companies, yet we bonded over drinks and playing games in the Jump Bar, chatting about boys that had caught our attention, and enjoyed many swooshes down the slopes over our five months in our snow bubble. In the 21 years that have passed we’ve lived in different places, worked different jobs, enjoyed several beach adventures on the south coast, and now I’m getting to join her husband and her family of three wonderful boys in the gorgeous home in countryside. From collecting the boys from school and walking in the woods, to creating pirate ships out of lounge room furniture and exploring new villages – it was a blissful, whistle stop tour and I loved every second.
Heather and I – Lovely!
What was wonderful about seeing both of these brilliant ladies was that it seemed like only yesterday since I’d seen them last. There’s a saying I heard, I can’t remember when, but it’s about friendship – it’s either for a reason, a season, or a lifetime – I’m very happy to say that both Fi and Heather are ‘lifetime’.
The seasons are changing, a new chapter awaits!
As we pass the winter solstice – the day with the fewest hours of daylight – we move into a new chapter. With everyday there will be a glow on the horizon as the days slowly lengthen and we move towards the new year, then springtime. I did have plans to watch the solstice sunrise but for one reason or another (Covid) I was unable to be outside. So, as the new year begins to unfold, I’ll be making an extra special effort to enjoy many a sunrise – be that near my home in south London, or further afield on more adventures in Vinnie. I’m excited to see what the new year has in store for me.
No doubt there will be much laughter, love and enjoyment of this beautiful journey we call ‘life’. Let also the new year be a celebration of doing things differently and carving my own path.
The last glimpse of daylight before night time arrived.
‘IF’ – The poem in the slate
This state stone has the word ‘IF’ carved into it, it’s located at the top of Honister Pass. For those that don’t know, ‘IF’ is a famous poem by Rudyard Kipling. The slate captures the first two sections only, so I’ve captured the full poem below.
If you can keep your head when all about you Are losing theirs and blaming it on you, If you can trust yourself when all men doubt you, But make allowance for their doubting too; If you can wait and not be tired by waiting, Or being lied about, don’t deal in lies, Or being hated, don’t give way to hating, And yet don’t look too good, nor talk too wise:
If you can dream – and not make dreams your master, If you can think – and not make thoughts your aim; If you can meet with Triumph and Disaster And treat those two impostors just the same; If you can bear to hear the truth you’ve spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to, broken, And stoop and build ’em up with worn-out tools:
If you can make one heap of all your winnings And risk it all on one turn of pitch-and-toss, And lose, and start again at your beginnings And never breathe a word about your loss; If you can force your heart and nerve and sinew To serve your turn long after they are gone, And so hold on when there is nothing in you Except the Will which says to them: “Hold on!”
If you can talk with crowds and keep your virtue, Or walk with kings – nor lose the common touch, If neither foes nor loving friends can hurt you, If all men count with you, but none too much; If you can fill the unforgiving minute With sixty seconds’ worth of distance run, Yours is the Earth and everything that’s in it, And – which is more – you’ll be a Man, my son!
For years I’ve wanted to go away on a multi-day solo adventure but for some reason I’ve never plucked up the courage. I don’t know why as I’ve travelled around the world to hundreds of amazing destinations with friends and joined several group cycling holidays to many a mountain range, yet a proper ‘solo, on my own’ trip has eluded me.
Why? I don’t know as I’m very happy in my own company. In the back of my mind perhaps I’ve always wondered what if I get bored or lonely, and “Will people think I’m strange?” so that’s stopped me from putting any ideas into action. However, in September 2020 (the crazy year when it all went a bit bonkers), I brought a VW campervan who I’ve named ‘Vinnie’. 12 months ago, I made a promise to myself that by the close of September 2021 I’d have gone on a solo multi-day trip with me, myself and I in Vinnie.
Initially I had planned to drive down to the South of France for my friend Adeline’s 40th birthday celebrations, followed by a few days in the Southern Alps enjoying the mountain air before I drove back to home. But all the travel restrictions put me off, so my van adventure across France will have to happen sometime in 2022. Having been gifted a rather fabulous book authored by Martin Dorey titled ‘TAKE THE SLOW ROAD’ which talks about inspirational journeys round France by Camper Van and Motorhome, the world is my shrimp (as my mother would say).
For now, the Cornish coast was calling! And I discovered a place called Mylor Harbour… not only was it stunning, the campsite was wonderful and the village had one of the most incredible seafood restaurants right on the harbour where I met a friend for a drink and watched the sunset. It was here I decided to treat myself so some local seafood delights and I wasn’t disappointed.
On a pedal adventure – taken just outside Mevagissey
Sculpture and art beckon
The inspiration for me taking a trip to Cornwall stems from 25 years ago when I was at Uni in Nottingham studying Textile Design. In my third and final year I discovered and felt rather spell bound by the work of Barbara Hepworth and Henry Moore, so much so my drawing and painting were driven by their genius.
For those that don’t know, the Barbara Hepworth Museum is located in St. Ives, way down the peninsula in Cornwall where the mining industry thrived many moons ago. Upon the arrival of Hepworth in St. Ives the town really began to transform into an artist mecca. Over the years she was heavily involved in championing the creative industries which attracted huge talent to the area. Now in St. Ives there’s a thriving community of artists, potters, painters, jewellers and other creatives who get their inspiration from nature – just as Hepworth herself did.
Barbara Hepworth Museum, St. Ives, Cornwall
Traditionally when I think of a museum a big, grand, and cavernous building is conjured up in my head, however the museum in Cornwall was quite the opposite. On arrival I discovered a small building, a tiny house in fact, with a fantastic studio space and perfectly formed garden where many of her sculptures are now homed. It felt quite special to be in the space where she spent many years creating some of her most well-known, world-famous sculptures. In the garden the pieces are preserved loving by a team of specialists who honour the material the pieces are created from, with the aim of maintaining them for art lovers to enjoy and admire for decades to come.
Nature is the inspiration
I’ve always been inspired by nature. The contours of the land, edges of lakes, curves of pebbles on the beach, the sculptural nature of flowers and petals, rugged spikes in the mountains, and the vast majesty of the Stawamus Chief which is located along highway 101 British Columbia, Canada between Vancouver and Whistler Village, at 700m in height it overlooks the nearby waters of Howe Sound. A little fact – second to Ayres Rock, the Stawamus Chief is second biggest monolith in the world.
In the garden of the museum there are many sculptures and what I love about them most is how they change in the light. The day I was there it was a feast between grey skies, showers and a sneaky peak of sunshine. But when the sun comes out it creates some wonderful contrasting light and the sculptures kind of frame each other as you walk around them and see them from a different perspective.
Barbara Hepworth Musem, St. Ives, Cornwall
When I first discovered Hepworth some 20 years ago, I didn’t appreciate just how big an impact she had made on me, and so many people before me. She really was quite a formidable woman – leading the charge, striking forward and carving new ground, no pun intended, yet years on her sculptures are still utterly mesmerising. Her creations are timeless, sensuous, and beautifully modern.
Discovering Cornish Ports – Making it up as I go along
Whilst down in Cornwall I look the opportunity to explore some coastal paths on foot which was stunning, but ended up covering more ground by bike. One thing I remember from my childhood from visiting St. Agnes, Perranporth, and many other beaches is how pretty the coast is and how typically Cornish the coves and tiny ports are. After a long night of rain, I’d decided to check into an AirBnB in Portscatho where a met a lovely couple and their family. And once again I fell in love with the Cornish coastline. When bathed in sunshine it shines even brighter. Whilst keeping the sea on my right I made up a route as I went along… turning left, turning right, going down wonky narrow lanes to be greeted by curvaceous cove after cove, beautiful village after beautiful village, the rugged landscape just rolled on and on.
Cycling down into Mevagissey
My ride took me from Portscatho across the Roseland Heritage coast to Portloe, Portholland, Penare, Gorran Haven, Portmellon, Mevigissey (where I had the most amazing piece of cod for lunch and chatted to some lovely ladies on their holiday), through Tregiskey, Pentewan and up to St. Austell before I meandered through some more 17% and 1:5 hills en route back to Portscatho. Next time I’m down there I’ll have to make up some more routes and see where I end up.
The cycle ride I discovered when heading out of Mylor was pretty stunning too and it was definitely a novel thing to do to have to catch a ferry from Flushing to Falmouth only 3km in. I do like the sense of surprise when doing something unplanned and new, and also chatting to the people I meet en route, always lots of interesting characters with often funny and entertaining stories to share.
One of the many ports… Portloe I think!
New adventures on the horizon
My next opportunity to embrace a solo adventure is in mid-November. As much as I’d love some winter sun, I’m also feeling myself drawn to staying nearer to home – perhaps the Lake District or the Brecon Beacons… time will tell but the ideas are flowing. Wherever I choose to go I know mountains will be a feature, and hopefully some blue skies and sunshine.
The pandemic has created a seismic shift in human behaviour. We have adapted well to new ways of working and new ways of communicating with our friends and family, but how will the hospitality industry use colour to connect with the new type of customer that is emerging?
Reassuring the post-corona consumer
Colour is a powerful tool and it has ability to control the emotional noise that surrounds us. I think it’s fair to say that the last year has been a rollercoaster of emotions from worry and anxiety with the announcement of the first lockdown in March 2020 to frustration and confusion with the ongoing uncertainty as we enter a new year.
Like many other sectors, the hospitality industry has been hit exceptionally hard all over the world but I’m sure the appetite that many humans have to travel, see and experience other parts of the world remains. Having been cooped up in our homes and restricted to our local areas (in some cases only a 5km radius from our front-door) – as human beings we are craving a change of scene, to get away from our daily routine, and to have shared experiences with loved ones that help us reset, recharge and refocus.
Image by Thomas Lipke
The new meaning of colour in hotel design
As we continue to move through 2021, I believe colour will play an increasingly significant part in hotel design. Whilst the world is undergoing one of the biggest global ‘resets’ in decades – with many people re-evaluating their lives, how they use their homes, where they want to live, their choice of career, right down to the way they wish to show-up and be present in the world – this is also a tremendous opportunity for hotels to ‘reset’, refresh and reinvent themselves ready for the new customer that will emerge post pandemic.
In some instances that may be a guest that’s looking for a high-end, luxury and high-tech experience that gives them the power to control and operate everything in their room or suite from an electronic device, to the more environmentally values based guest who’s seeking to immerse themselves in nature and to find a destination that has focused on bring the outdoors in and adopted a more ‘biophilic’ style to their architecture and design that enables humans to reconnect with nature. Moreover, perhaps where a hotelier has sourced all their products locally and from sustainable sources – the two types of customer are very different and demand a different colour scheme and design style. Given the fact we’ve had so much screen time in the past 12 months post pandemic it’s likely we will see a surge of the environmentally values based consumer.
In addition, just as colour has the ability to create an effective and productive workplace, it also has the ability to evoke an emotion and a positive memorable experience at a hotel. Remember your guest’s make decisions based on their emotions and colour has the ability to influence our emotions and change our behaviour – so it’s imperative for a hotel to get their colour scheme right to establish true, meaningful connections with their guests.
Common pitfalls to avoid when choosing colour
Choosing a colour scheme for a hotel is hugely complex and an expensive decision to get wrong. It’s important to think about what the hotel brand stands for, who their ideal guest is (who do they want to appeal to), what do they want their hotel to offer that others don’t, what behaviours do they want to elicit, what feeling’s do they want to evoke, what memories do they want their guests to take away with them – all of these elements and more need a huge amount of consideration.
“Choosing a colour scheme because it’s ‘on trend’ means you’re following someone else’s version of ‘good’ or ‘great’.”
Emma Potter
So, when choosing a colour scheme, consider this:
– Brilliant white
I would recommend that you avoid choosing brilliant white to paint a space, whether it’s big or small. From a psychological stand-point white may be perceived as perfection to bring a sense of calm and quite; yet on the flip side it makes a space feel sterile, cold and lifeless. It reminds me of stark, clinical hospitals which is not a vibe or experience a hotelier wishes their guests to experience whilst on vacation. However, I do appreciate that some architects may be a fan of using white as it shows off the lines in the design and construction of a space, or the sculptural fluid curves that may be been employed as part of the design – but it does nothing to invigorate and comfort the human spirit in post-Covid times.
- Over satiation
Just as it’s important not to saturate a space with brilliant white, it’s equally not advisable to saturate a space with any ‘one’ colour. All colours, with the exception of pure greys, have positive and negative psychological aspects. Of course, grey may make us feel safe because it has the capacity to help us blend in with the background but for me it’s quite nondescript and when surrounded by it for too long depletes my energy levels, resulting in me feeling drained and lethargic. Equally if I was immersed in a red space initially, I may feel energised and excited but if I remain in a red room for a long period of time, I’m likely to become agitated and annoyed because I’ve been over stimulated by the colour.
– Think about the space as a whole
When designing for a space it’s easy to get carried away with the colour scheme on the walls, but it’s important to think about the space as a whole. There are many elements to consider, from the walls, carpets, and cabinetry, to soft furnishings (including fabric type and textures as well as the construction of and / or print pattern), to lighting, glassware and the many accessories that adorn and embellish an environment. Think about the design journey and space as ‘one’ and the experience you with so take your guests on will flow.
– Tonal harmony
A colour scheme will always come together and be a success when the colours chosen relate and come from the same tonal group. When colours don’t harmonise it generally creates a sense of confusion or disharmony which guests will pick up on innately, but what they won’t always be able to identify or articulate is ‘why’ they feel this sense of discomfort. In essence it all comes down to selecting a colour palette that has tonal harmony.
– Choosing a colour because it’s on trend
I imagine opting for a colour scheme because it’s ‘on trend’ is more common than we realise. Yet to help us choose the right colour scheme it would be good to understand how, as humans, we relate to colour – be that psychologically, personally and symbolically. Additionally, it makes senses to understand the influence of both the positive and negative traits, plus the application and proportion of colour used to create the desired results. Choosing a colour scheme because it’s ‘on trend’ means you’re following someone else’s version of ‘good’ or ‘great’, and not tuning into your intuition to discover your own. There are many well-respected paint-manufactures who make trend predictions at the beginning of every year like Pantone, Dulux, Farrow and Ball or Benjamin Moore – these are great places to go for inspiration, but in the end, make sure you select a colour palette and design style that’s right for your brand and the experience you wish to create – in the end it’s all about creating an immersive and memorable customer journey.
Clever ways of injecting colour to enhance your wellbeing
The idea of connecting hotel design and hospitality with nature is not new, yet in response to the pandemic there has been some discussion of the re-emergence and rise of biophilic design – which builds on the idea that as humans we have an innate attraction to, and love of, the nature world. This would possibly explain why people will happily pay more for a room with a view of never-ending mountain ranges or the expansive horizon of the sea – as these vistas will most likely deliver an incredible glowing sunrise to start your day whilst sipping on a delicious cup of freshly brewed coffee or tea, or to end your day with a mesmerising sunset whilst enjoying a chilled glass of rose or perhaps a gin and tonic as a sundowner.
Image by Pixabay
In essence ‘Biophilia’ means ‘love of life’, however, when it comes to biophilic design this does not mean putting in a few plants as a token gesture. It means embracing all elements of biophilic design, a true engagement of all our senses – sight, taste, hearing, touch and smell – to help us understand and absorb what’s going on around us. This means using natural materials such as wood, maximising natural light, making organic shapes a priority, and using a range of plants to create a sense of the great outdoors – all of which helps to balance our emotions and support our emotional wellbeing whilst introducing a natural range of tones, shapes and colours. In this way, not only do we create a space where guests feel safe and secure, we enable them to better connect with themselves by creating a peaceful, tranquil environment, making it a memorable meaningful experience that they’ll want to come back for, time and time again, year in, year out.
Brand Strategist, Colour Consultant, Coach 